Allison Young, a Navajo woman and former film student from Dartmouth, protested the film's demeaning portrayals of Indigenous people. She talked with Indian Country about the situation:
"When I began doing this film, I had an uneasy feeling inside of me and I felt so conflicted," she said. "I talked to a former instructor at Dartmouth and he told me to take this as finally experiencing stereotyping first hand. We talked to the producers about our concerns. They just told us, 'If you guys are so sensitive, you should leave.' I was just standing there and got emotional and teary-eyed. I didn’t want to cry but the feeling just came over me. This is supposed to be a comedy that makes you laugh. A film like this should not make someone feel this way."
"Nothing has changed," said Young. "We are still just Hollywood Indians."
"Just Hollywood Indians" is a resounding lamentation, considering the Tinseltown legacy of disseminating negative images of Indigenous people. Think of all the movies that have historically come out of Los Angeles that demonize Indigenous people as "uncivilized" enemies of US "Manifest Destiny," - or the present-day films that portray them as one-sided characters (often alcoholics). The impact of these degrading images, as they embed themselves in the minds of movie viewers, does incalculable harm to the original inhabitants of what is now called the United States.
The debasing of Indigenous people goes back to the myth that "America" was "discovered" by Europeans, and that the Indigenous population was a sub-human population that needed to be killed or placed in so-called reservations. This toxic narrative - used to justify the colonization that created the United States as it exists today - is alive and well, thanks in part to Hollywood's generally insidious portrayals.